Exciting News and a Playlist


I’m a day late on my monthly excerpt, but in fact I decided to not post one this month, because (drumroll in anticipation of Exciting News) the messy manuscript is in the hands of a mentor and development director! Max has read it over and made his notes, and one week from today we will have a lengthy conversation about characters and story arcs, scenes and sequencing. Some good, expert guidance to help launch me into the next round of writing (I had definitely lost my way and needed another set of eyes on the thing, some help to get myself out of the holes I had written myself into).

I wanted to let the story stay quiet and simmer a bit on your back burner as well as mine – with hopes that next month I will have an excerpt that will be from an invigorated new sense of direction and energy – I am so looking forward to next week’s conversation, and to getting back into the kitchen with Bea…

…Speaking of which, that’s the “playlist” part of the title of this post. I have been in the process of creating Bea’s Kitchen Playlist; still in progress, I often listen to it while I work on the book. I find it helps to drop me into the story more readily. Who knew?

I decided in lieu of an excerpt, this month I would share with you a sampling from Bea’s Kitchen Playlist. Because of legalities and copyright issues, I may never get to share the playlist in any kind of physical form – but here is a list of a portion of it for you to sample.  Hope you enjoy it – take it with you to your own kitchen?

“Pacing the Cage” – Bruce Cockburn

“Last Night of the World” – Bruce Cockburn

“Ladies Night” – Preston Reed

“Concerto for Two Cellos in G Minor” – Antonio Vivaldi (performed by Julian and Jiaxin Lloyd Webber)

“Chain of Fools” – Aretha Franklin


What Do You Read and Why?


What do you read and why?

I posted that question on my Facebook page recently. A similar question had been posed to me by Jeffrey Davis during one of the weeks of ArtMark , in response to my frustration at trying to articulate what “elixir” I have to offer people as a writer. Offering-articulation seemed to me to be more obvious and easy to determine for those providing a service, like creativity and life coaches, workshop facilitators, even writers of trade nonfiction that give specific answers and solutions to many of life’s questions and problems. I mean, I could “get” what needs I might serve in writing personalized ceremonies or conducting writing workshops. But as a fiction writer? That’s just writing stories, not answering a need (except my own need to write), right?

Wrong. (Fortunately)

Jeffrey responded with a simple, palm-slap-to-forehead question that nearly made me laugh out loud it was so obvious (but so often that’s how it works, me making something more complicated than it needs to be):

“Why do you read fiction?”

Oh, for what a myriad of reasons do I read fiction!…I love language, a good story, the imagery and emotions that can be evoked by the arranging of words. Twenty-six letters in an infinite number of combinations that can at any given time make one laugh, cry, feel anger, humility, awe, wonder, connection.

I like stories that transport me out of my day-to-day life into the lives of others, not as a voyeur, but as a witness; alternately, I like stories that hold up a mirror to my own life and life’s questions with characters who feel to me like real people; people I might like to know and spend time witha, who deal with some of the same struggles that I have known. I learn more about myself as I watch them navigate their lives, or allow me, gratefully, to simply say, yeah, me too….

And it’s not just about fiction, really: I look for similar things in every genre I read. With non-fiction, I am often looking to learn something new or understand something that has otherwise eluded me. Sometimes I simply want to be inspired when the world seems too heavy and burdened beyond repair.

When I posted this question on Facebook I received similar answers – many of them so eloquent and heartfelt, I was blown away. There is a whole legion of readers out there! And the responses were not only about fiction, but also about memoir and creative non-fiction. The common thread? The telling of a good story with  supreme expressiveness of language; something that could reach off the page and touch the reader at his or her core.

That’s why I read.

That’s why I write.

Maybe there are readers who will want to read what I have written, who will hopefully be touched across the markings on the page.

Okay. I get it now.

And you? What do you read and why? 

I would love to know.